Monday, 26 October 2015

Goblin Market Summary

Goblin Market

‘Goblin Market’ is a poem by Rossetti that was composed in 1859 and published in 1862. The poem its self has 567 lines and is Rossetti’s longest and most scrutinized poem. In general the poem is about a relationship between two sisters; however in developing a deeper understanding we can denote that the sisters, Lizzie and Laura, are a metaphor for the conscious and unconscious thoughts and desires of Victorian women.
Lizzie and Laura, portrayed as sisters, highlight the two sides to a Victorian woman. Lizzie is a representation of the domestic depiction women had, and Laura contrasts her sister as she speaks for the hidden and maybe unconscious desires women had of that time. Lizzie is seen as ‘The Angel of The Home’ and rather sensible and responsible because ‘She thrust dimpled finger, In each ear, shut eyes and ran:’ this makes her seem eager to follow the rules, seeing as they have been told to not see or hear the ‘Goblin Men.’ Laura is shown as the more rebellious side of the mind-set because “Curious Laura chose to linger.” This act of choosing to ‘linger’ lets us know that Laura is easily convinced and could be seen as guilty for being too inquisitive.

The ’Goblin Market’ is described to be dangerous, it is a place between day and night, filled with rich fruits that are the epitome of perfection. The fruits are on platters and are detailed to be full of beauty and colour, Rossetti’s uses fruits that are all seasoned at different of the year and grown in different locations, this add to the strange atmosphere set in this environment. For example “Plump unpecked cherries,” and “Pine-apples, blackberries,” are all examples of fruits that are seasoned at different times, which add's to the mystical and magical overall theme.

Friday, 9 October 2015

Critical analysis of critics of Rossetti

Kathryn Dorothy's brief synopsis and critical analysis of Christina Rossetti’s 'Goblin Market' takes an very basic approach to the poem. Dorothy has identified the relationship between the sisters to be Rossetti's main point of the poem, to express 'there is no love, that of a sister.' However, I feel as if Dorothy missed a major underlying meaning within the bond between Lizzie and Laura.

Dorothy mentions "The strong-willed Lizzie, in a desperate attempt to save her sister, returns to the goblin men that only she can now hear and offers to buy their fruit, although she adamantly refuses to join them at their feast. After bravely resisting the evil creatures’ attacks, during which her mouth and face are smeared with fruit juices, Lizzie makes her way home." Dorothy is keen to point out the clear and literal figures of the sister, and I believe that she missed metaphorical points.

I think Dorothy has taken a very surface read analysis rather than delving deeper into the meanings of the relationships and problems the two sisters face in the poem. I believe that within the sisters, there is a representation of Adam and Eve. From "Like two blossoms on one stem," you understand that there are many similarities between them physically. Mentally, they are opposites, from the way that Laura gave in so easily to the 'Goblin Men' and how Lizzie remained strong enough to save her sister. Within this I see Laura as a representation of Eve and how she also ate the forbidden fruit, causing the problems.

As Rossetti is a clear Anglican believer, I can denote from this that God and Christ, are hidden within her poetry, sometimes its clear to see the links, and sometimes it takes a more in depth look into the words and what they really mean. Dorothy mentions the religious background of Rossetti but she has almost addressed it to be looked past. For Rossetti, no love is purer than the love of Christ, therefore this precious bond between the two siblings has to be something more than just family, but a bond between, Adam and Eve and God and his children.

Dorothy's angle on the poem acknowledges "Rossetti’s devout Anglican upbringing, in which her mother and her sister played such intrinsic roles, probably made her shrink from the idea of the fulfillment of love. To the quiet and often clinically depressed Rossetti, this may have been a way of reconciling her love of man with her love of God." This remark, shows the consideration of Rossetti's Religious background but still, Dorothy remains loyal to the idea of the family bond and how that is the purest form of love and how important it is to share between siblings.

I do agree with most points Dorothy has made, I believe there is a bond between the sisters that is vital, because the determination there is to help the other sibling is a force that is immortal. However, I believe that the 'Goblin Men' are metaphorical representations of the conscious and unconscious battles we have within ourselves.

Monday, 5 October 2015

Ode to Grey Line

I'm surrounded by your relatives,
damp wet grass, be-foot,
if I could ignore the cars,
you'd be more understood.

No longer the dew is here,
long gone the dusk,
replaced by streams of light,
and lingering mist,

Past the feet,
a yellow carpet adorned,
with hints of the dead,
brown leaves once more,

I can smell the grass,
sweet, cut fresh
but I feel the loss,
of all the leaves, all dead.

Sitting beside your past life,
I still to take a glance,
overwhelmed with strife,
I tattoo your surface,
we ruin your life.

Explore the way Rossetti presents nature in her poems.

Rossetti was raised in London, a location that doesn’t fit with her scenes of nature within her poems. Rossetti growing up in London would have given her a city life upbringing, her constant use of nature is Rossetti taking herself away to be with one in nature. This is a common theme within Rossetti’s work. Rossetti uses nature to represent her high Anglican Christian faith. Rossetti is always sure to link her sensual descriptions back to Jesus as an act to show her love and devotion for him, rather than the human and earthly objects.

Rossetti hints at being influenced on Romantic poetry. Even though Rossetti doesn’t distinctly mention what she has read, from evidence in her own poems, we can theoretically guess that the Romantic poet who most influenced her was John Keats. Rossetti makes references as if to be in conversation with Keats and to be challenging him in her poem ‘Song’ to his poem ‘Ode to a Nightingale.’ The nightingale was a common symbol in Romantic poetry. Keats used it in ‘Ode to a Nightingale’ to speak of joy, music, self-expression, nature and immortality. However, Rossetti, in ‘Song’ contradicted Keats by suggesting that the nightingale's song is associated with pain, Rossetti disagrees with the idea that the natural world is a place of pure joy.

Rossetti has a clear and deep sense of Religion; in her poems she does not preach God however she constantly makes reference to the Garden of Eden and the Tree of Life. In her poem ‘Paradise: In a Dream’ she uses the line ‘The Tree of Life stood budding there’ the singular ‘Tree’ is a contrast to the plural inhabitants of nature. I think Rossetti has used the singular, in order to almost present Gods in the way he should be seen. To a Christian, you should not put God in an image, nor is there two of him. The singular ‘Tree of Life’ is also a medieval image of Christ on a cross at the crucifixion. The use of a ‘Tree’ allows us to denote that not only is the tree a representation of Christ, but an image that is supporting and strong. This use of nature to describe Christ expresses how natural the reciprocated love is and it links to how nature is an ongoing cycle that doesn’t stop, just like how she pictures Christ’s love.

Rossetti uses images of flowers to represent the cycle of life and the senses we experience within the ongoing journey. With the line ‘And faint the perfume-bearing rose’ it shows the senses which Rossetti is keen to describe, and turn the simple things into things of beauty and wonder. The quote ‘three silver fleur-de-lys’ is a out of season flower chosen to represent a perfect and specialised aspect Rossetti is trying to use as a metaphor, for love. The use of the ‘three’ flowers is a link to the Holy Trinity, The Son, The Ghost, and The Holy Spirit. This use of the three beautiful flowers, really stresses Rossetti’s devotion to Christ.

Rossetti presents the idea of birds in her poems to often be rather plain and normal creatures of song birds. However, Rossetti uses a ‘peacock’ in her poem ‘Paradise’ in order to express how the speakers love is great than all the extravagant and luxurious objects. A peacock is a bird of plural colours, those being green and blue which represent nature and royal status, similar to purple. The peacocks are birds often owned by royalty and people who are wealthy, the use of this bird really emphasises the purity and priceless-ness that is true love.


However, in other poems Rossetti uses normal everyday birds, like ‘doves’ to represent peace, love and religion. The birds are a symbol of freedom and the song birds give off a meaning of declaring emotion. This use of the animals really stresses her feelings and the emotions behind the words she has written due to the representation of the creature itself.